The Guggenheim Museum Bilbao installs an impressive work by Lucio Fontana in the Atrium
Neon Structure for the Ninth Milan Triennial was created by Lucio Fontana in 1951.
BILBAO
.-The Guggenheim Museum Bilbao unveiled the installation of a spectacular work by Lucio Fontana in its Atrium, which Museum visitors will be able to enjoy over the next three years. Neon Structure for the Ninth Milan Triennial (Struttura al neon per la IX Triennale di Milano), created by the great Italian-Argentine artist in 1951, is a piece that can simultaneously be considered a drawing, a sculpture, a light design object, and an expressive gesture frozen midair. The privilege of exhibiting it stems from the exceptional partnership between the Fondazione Lucio Fontana in Milan and the Guggenheim Museum Bilbao.
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Important new volume is an invitation to reassess the impact and influence of Aristotle
LEWES
.- Aristotle towers over Western philosophy and science as no other single person does. As they have come down to us, Aristotles works comprise a veritable encyclopaedia of philosophy and logic, the physical and natural sciences, ethics and politics. Aristotles astonishing range and depth made him indisputably the most important intellectual figure in the Western tradition before the modern age. Although he has been studied continuously for more than two-thousand years, his individual works were dispersed, lost, recovered, and very gradually reunited. The physical transmission of the Aristotelian corpus was a long, complicated, uncoordinated process not one chain of transmission but many. From the Roman Empire, through the mediation of Arab and Jewish scholars, to the western Middle Ages and scholasticism and up to the cusp of modernity in the late 15th century, Aristotles works we
Collezione Maramotti opens ruby onyinyechi amanze s first solo exhibition in Italy
ruby onyinyechi amanze, How To Be Enough. Exhibition view Collezione Maramotti, 2021. Photo: Roberto Marossi.
REGGIO EMILIA
.-Collezione Maramotti presents How To Be Enough, a project by ruby onyinyechi amanze. For her first solo exhibition in Italy, the artist has conceived a new multidimensional drawing for the Collections Pattern Room, working on a monumental scale she has never previously explored.
The work is made up of 15 sheets of paper that extend over the entire height and width of the rooms long central wall, creating a vast contemporary fresco on paper.
Alonsa Guevara s latest bodies of work on view at Anna Zorina Gallery
Alonsa Guevara, Call of the Watermelon, 2021, oil on canvas 48 x 48 in (121.9 x 121.9 cm).
NEW YORK, NY
.-Anna Zorina Gallery opened Apparitions, Alonsa Guevaras third solo exhibition with the Gallery. In her latest bodies of work, Guevara continues her celebration of the natural world, this time exploring the mysterious connection of human existence to the cosmic energy of the universe. In these works, the artist represents her investigations into states of higher consciousness through depicting the patterns, shapes, and images that have appeared in the artists dreams and meditations. These altered states are presented in otherworldly paintings, composed of flora and fauna that form larger kaleidoscopic patterns. Through her paintings, Guevara endeavors to elevate the everyday fruit, flower, or fauna into the realm of the divine.